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QUOTE(April7739 @ Sep 27 2008, 04:09 AM)

Hi, Teresa!
You know, if you're a "canon-purist," that must make me an AU purist. I swear, I have the most difficult time writing canon. It's so difficult to keep the characters
in character, so the fact that you manage to do just that is something to be proud of.

My question for you is: How do you manage to keep the canon characters canon? Does it come naturally for you, or do you really have to focus when it comes to keeping them in character?
-April
Hi, April,
thanks for coming to visit over here. I came very late to 'Passion' and I'm still catching up, but I must say that it is now one of my guilty AU pleasures and I'm totally hooked...
How I keep the characters canon is a good question! I'm lucky that I still have very clear mental pictures of them from the series, which helps a lot when I'm writing. I don't consciously think about working to keep them in character, but I guess it helps that I've been thinking and writing about them for so long. You keep them in canon character, too, (although more extreme and vivid versions) and make it look easy.
Also, everyone on Roswell has a 'key' characteristic or two that make them individuals and that dictate how they are portrayed, in the show and afterwards. I find I can use these to predict how they might behave and even change under difficult circumstances.
The interest for me is to make them grow and change, but still remain essentially who they always have been on the show. Probably that's the whole basis for my continuing interest in writing about the characters.
Now I come to think about it, I do have a kind of mental 'CV' for each of them that I use as a base to jump off as the story moves on:
Michael's complicated nature. On the one hand he's quite a vulnerable (as Maria instantly perceived) intelligent, private person, but on the other, being insecure, he tried to cover it with a show of hostility, arrogance and defensiveness. I want to try and show how much he's changing through their new circumstances, cautiously taking down his stonewall to let his true self show, at least to his friends. I thought he would find a kind of freedom in being on the run and having to take responsibility for himself and those he loves (he was an army General back in Antar, after all - he should have these qualities built-in). He's been the all-round hot guy on the show for me, so I'm naturally an M&M fan.
Max was a victim in many ways - under unique stresses all his life and lately pressured to acknowledge a previous existence with awesome responsibilities to another planet he wasn't aware of, wasn't prepared for and didn't want. I saw him as someone with his own defences (symbollically hiding behind that tree in his drawing) who had a repressed controlling nature, but without the confidence to take charge effectively. He was quite passive on the show, mostly letting events control him and hesitating to act decisively. He had 'alien king' facets of his character which could be either good or bad but they only emerged under stress. An unwitting pawn in interplanetary politics, he was bemused by events and manipulated by strangers such as Tess and Nasedo who used him for their own ends. Still, he wasn't entirely a 'good guy' (e.g. he never tried very hard to resist Tess and he apparently was happy to let Michael pay his bills when he moved out from the family home). It was this subtle 'dark side' that I wanted to see emerge when he thought it was all over bar the running away to a new life with Liz while still leading the group...
Now Liz, at the end of Roswell, was a meltdown just waiting to happen. Life was just one alien crisis after another for her but she usually handled things well (although always strangely reluctant to risk herself for others - for Michael in the healing stone circle and also when Ava suggested she contact Max to warn him of the dangers in New York). She used that wide-eyed innocent stare ("Oh, Maaaax...") to cover quite a cool, if not actually cold, intellect. She was certainly emotional about Max but also prepared to be quite ruthless in her treatment of family and friends in order to obtain him. Unfortunately, Tess was a master manipulator and had no inhibitions at all. I wanted to know how Liz would react when the emotional pressure-cooker of Roswell was left behind and she had what she thought she wanted...only for things to go wrong yet again.
Maria was the real sweetie on the show (ok, aside from the episode when she was in denial about her feelings for Michael after she'd slept with him to celebrate her record contract). Intelligent, resourceful and brave as well as having a great sense of humour (which Liz sadly lacked), despite her insecurities she was always loyal to the group even when they'd all treated her badly in some way or another. No one on the show ever appreciated her as much as she deserved. I'm trying to redress the balance.
Isobel is as complicated and as scared as her alien 'brothers', but much more desperate to lead a 'normal' human life. She was braver than them, choosing to show a confident 'public' face to the world and for a while apparently taking quite a high profile in Roswell life (the Christmas Nazi, helping to organise the town's carol concert). She made some desperate, risky decisions, but in part that was sparked by Max's controlling behaviour in blackmailing her into staying in Roswell when college would have been her escape to freedom. Like her, I'm not sure what the future holds for her at present, but I hope she's on the road to freedom, too.
Kyle? Well, he's just sooo cool...
Oops, better stop now before anyone still reading faints from exhaustion. Maybe I'm more obsessed than I thought I was... Scary thought.
April, I bet you're sorry you asked the question, aren't you? Thanks for giving me the opportunity to ramble on like this. It gave me a chance to think about how and why I write, which I don't usually do...
I'll pop over now to read another chapter of Passion - always a good idea. I hope you're busy writng more...
Hugs,
Tx