The theatrical poster for "Terminal," which will be released Oct. 15 on DVD

I’m going to preface this by saying that I never really get the opportunity to review very many short films. Of course, I’ve seen my fair share of shorts, but I normally have to wait for the DVD release, and by that time – a review feels somewhat unnecessary. Therefore, I was really glad to discover this short before its DVD release and throw my two cents out there. Also, in all of my stupidity, I had originally suspected that this film was Stephen Spielberg’s “The Terminal,” starring Tom Hanks. For clarification purposes, I’d like to state that this is not Spielberg’s film – “Terminal” is an independent short film, and by all means, far superior to the Spielberg film (which was also superb.)

On that note, I’d like to mention how I was truly captivated for the (nearly) 20-minute duration of “Terminal.” The story essentially revolves around two young adults conversing in an airport bar. Although that rather poor description makes the tale seem rather bland, I rarely find a conversation so enthralling. Malcolm, a rather reserved fellow, has brought apology flowers to the airport for his wife/girlfriend. After discovering that her flight has been delayed, he makes his way to the airport bar where he meets the vivacious Jordan. Jordan quickly swoops down upon Malcolm, and unravels his controlled personal shield relatively quickly. She dives headfirst into his mind and peels off all the restrained layers of Malcolm, and during the process she realizes a bit more about herself as well.

Concerning my negative observations of “Terminal,” the film is much too short. Yes, I do realize that it’s a ‘short,’ but there is enough material here to fill a feature length film. Not that the ending didn’t provide enough closure, but when the credits started to role – I was still left wanting more. I guess that must be the objective of a well-made short – to leave your audience wanting more. Another issue I had was that the catharsis of the film came too early. Naturally, that is to be expected of a short – plot arcs have to be resolved within the small runtime of a short. Yet, I couldn’t help but feel that it would’ve taken a bit more of Jordan’s persistent interrogating to pry open Malcolm’s reticent internal tribulations.

Despite all that, I view this film as an outstanding triumph (see above comment about being captivated). Initially, I had my reservations about “Terminal” – as the film is shot, almost entirely, in an airport bar. Yet, from the very first shot of Malcolm, looking utterly depressed with roses in hand, as “Naturally” by Middle Distance Runner roars in the backgound – I knew this film was going to be a unique experience. Props to the director, Fernando Beltran y Puga, for executing such a beautifully conceived and original masterpiece. Almost every single frame of “Terminal” makes you feel as though you are staring right through Jordan’s all-knowing, eager gaze; simple on the surface, yet extraordinarily intricate beneath it all…

I would also be remiss not mention the superb acting talent in this film. Although the focus of the film seems to indicate that Jordan, played by the exciting Leah Loftin, is the main star, I found myself more intrigued by Andy English’s riveting performance as Malcolm. Don’t get me wrong, Loftin was absolutely delightful as she blazes through each scene with relish and enthusiasm, but English’s subtle and masterful control of his character is Academy Award worthy. During this film’s most powerful scene, when Malcolm finally breaks and reveals what he really wants from life, English’s acting chops gleam magnificently.

My sole disappointment in the realm of acting was the inclusion of the Bartender, played by Ian Glinka. His prominence in the film had me speculating how his character would inevitably contribute to the growing drama, yet he simply remained on the sidelines, intermittently providing some comedic relief. I would have liked to see more done with his character.

Ultimately, I think this that “Terminal” is definitely worth watching, at least once. All of the few flaws of the film are collectively forgivable and forgettable. This film is less about an Airport terminal and more about character development and dissection. Despite how the film seems to be lacking a clearly established narrative, the film plows on admirably, proving that a clearly established narrative isn’t always necessary. Once again, my only major problem is that the film didn’t last long enough, which in itself could also serve as my greatest compliment to the film – I didn’t want it to end. I give “Terminal” an 8/10.